After last months’ adventures in rediscovering the proverbial wheel, I wanted to weave some droppdräll. While droppdräll is huck, the Swedish variations and arrangements of the blocks are interesting. I repeat the drawdowns here to make it easier to see them with the fabrics.
I started with Edna Olson Healy’ s Droppdräll, published in the Lily’s Pamphlet Practical Weaving Suggestions One Color Upholstery Fabrics, Vol. 2-58, which is in the public domain and is available from the University of Arizona at this link:
The sinking shed drawdown is below. I wove it first with a weft the same size as the warp (5/2 mercerized cotton).
Then I wove with the weft floats of thicker yarn, as suggested by Olson Healy for upholstery. The tabby picks are still 5/2 cotton, the float picks are silk chenille.
The second sample is indeed thick enough to be good upholstery fabric. Olson Healy uses motifs, rather than a continuous repeat of blocks as I have done, but the structure of the blocks is still visible.
To compare the droppdräll with huck, I made a sinking shed drawdown using the traditional threading and treadling steps of huck, shown below. The droppdräll has 4-thread for each block, rather than 5 of the huck; the treadling steps of the droppdräll lack the tabby that separates the blocks in huck. Interesting variation. I suppose we could argue that this is not huck, but if we look at the drawdowns, we see the characteristics blocks.
Next, I wanted to weave Adrianna Funk’s droppdräll (which she erroneously calls Bronson Lace in her website), and which is also (correctly identified) in the book To Weave the Swedish Way which she co-authored with Miriam Parkman. Below is the rising shed drawdown; she weaves the double picks with thicker yarn for texture. I followed those directions for the sample that is below the drawdown, the warp and tabby weft are 5/2 mercerized cotton, silk chenille for the fatter weft.
I modified Funk’s drawdown (rising shed), as shown below, by adding a tabby between the floats, highlighted in yellow; with this addition, the drawdown is undistinguishable from huck.
I wove the fabric shown below, using the same warp and weft.
The difference between the Funk’s droppdräll fabric and the huck fabric is that the double picks in the droppdräll result in visually more solid blocks; in huck they are separated by the tabby. However, the advantage of the huck is that floating selvages are not needed as they are in the droppdräll to catch the double pick.
The Weaving Handbook by Åsa Pärson and Amica Sunderström has interesting variation of droppdräll, but the one that intrigued me the most is the 3-thread structure. Below is the rising shed drawdown.
Both sides of the fabric are interesting, woven again with 5/2 cotton warp and weft. Here is the weft-float side:
Below the warp floats side:
I have woven for nearly 50 years, yet I still discover variations of one of my favorite structures. That’s what I love about weaving!
If you want to learn more, come to my seminar at Convergence®, I would love to see you there!